Greatest Hits is a compilation album by British pop band Thompson Twins, released in 1996 on the Arista Records label.

It is the group's very first compilation of singles, the remix collection Greatest Mixes having already been released a couple of years earlier in 1988, mainly promoted by the popular remix "In the Name of Love '88." Greatest Hits includes all of Thompson Twins' singles from 1982 to 1987, omitting earlier minor tracks from their UK debut album, A Product of ... (Participation), and the later single "Sugar Daddy," the last mainstream hit they had in the U.S., taken from their unsuccessful 1989 album Big Trash. Though Thompson Twins' previous album, 1987's Close to the Bone, was also a flop, both singles taken from it--"Get That Love" and "Long Goodbye"--are included here.

Thompson Twins' first singles collection compiles the following songs by the band's three different lineups (big band in the early years, three-piece group from 1983 to 1987, and duo in the later years): "In the Name of Love," which is the one track from their 1982 album Set; four tracks from their 1983 album Quick Step and Side Kick (their first as a trio), "Lies," "We Are Detective," "If You Were Here," and "Love on Your Side"; all five singles from their most successful long playing work, 1984's Into the Gap, namely "Hold Me Now," "Doctor! Doctor!," "You Take Me Up," "Sister of Mercy," and the album semi-title track, "The Gap," which was only released as a single in some territories outside Britain; three of the four singles from their last album as a three-piece band, 1985's Here's to Future Days, namely "Don't Mess with Doctor Dream," "Lay Your Hands on Me," and "King for a Day" (the omitted fourth single being The Beatles' cover "Revolution"); the two singles from their first work as a duo, 1987's Close to the Bone, namely "Get That Love" and "Long Goodbye"; and "Nothing in Common," from the 1986 film of the same name.

Thompson Twins released one more unsuccessful album after the span of time covered on this compilation. 1991's Queer generated two more singles: "Come Inside" and "The Saint." Though these were minor hits—and quite popular in clubs—neither would be included on the band's next greatest hits collection either: the double disc Love on Your Side - The Best of Thompson Twins, issued in 2007.

Credits

*Tom Bailey: lead vocals and main instruments

*Alannah Currie: lyrics and background vocals

*Joe Leeway: percussion

Category:1996 compilation albums

Category:Greatest hits albums

Category:Thompson Twins albums

Category:Arista Records albums

Artist/Band Information

For Hergé's comic strip, The Adventures of Tintin characters, see Thomson and Thompson.

The Thompson Twins were a British pop group that were formed in April 1977 and disbanded in May 1993. They achieved considerable popularity in the mid 1980s, scoring a string of hits in the UK, the US and around the globe. The band was named after the two bumbling detectives Thomson and Thompson in Hergé's comic strip, The Adventures of Tintin. A predominately synthpop trio, they were joined on stage at Live Aid by Madonna and were at the forefront of the second, so-called, British Invasion.

Career

Early days

In 1977, the original Thompson Twins line-up consisted of Tom Bailey (born 18 January 1954, Halifax, Yorkshire) on bass and vocals, Pete Dodd on guitar and vocals, John Roog on guitar, and Jon Podgorski (known as "Pod") on drums. Dodd and Roog first met when they were both 13 years old.

Arriving in London with very little money, they lived as squatters in Lillieshall Road, London. Future Thompson Twins member Alannah Currie lived in another squat in the same street — which is how she met Bailey. It was in this ramshackle and run-down house that they found an illegal way of "borrowing" electricity from the house next door. Bailey described themselves (laughingly) as "spongers" (meaning that they were on the 'dole' i.e. unemployment benefit) back then, as they were living on very little and scavenging everything they could lay their hands on. He even said that the only instruments they had were bought, or had been "stolen or borrowed". Dodd managed to get a council flat not far away. Their roadie at that time was John Hade, who lived in the same house, and who later became their manager.

As Podgorski had decided to stay in the north, they auditioned for drummers at The Point Studio in Victoria, London. Andrew Edge joined them on drums for less than one year, and went on to join Savage Progress, who later toured with the Thompson Twins as their support act on the 1984 UK tour.

Membership changes

By 1981, the line-up was Bailey, Dodd, Roog and three new members: Chris Bell on drums, former band roadie Joe Leeway on congas and percussion, and Jane Shorter on saxophone. This line-up recorded the first Thompson Twins album A Product of ... (Participation), documented in the film, Listen to London (1981). Currie, who had been associated with the band for a few years, played and sang on the first album, but was not yet a full member.

After the first album, the band's line-up shifted yet again. Saxophonist Jane Shorter left, percussionist Currie was made an official member, and bassist Matthew Seligman, a former member of The Soft Boys and The Fallout Club, joined. Bailey moved to keyboards and guitar in addition to serving as lead vocalist, with Leeway handling vocals on a few tracks.

The band signed to Arista Records and released the album Set. Thomas Dolby played some keyboards on Set and some live gigs, as Bailey had little experience with synthesizers before then. Set contained the single "In the Name of Love", sung and largely written by Bailey. It became a #1 dance club hit in the US,, and an album entitled In the Name of Love (consisting mainly of tracks from Set, with two others from A Product Of... (Participation)) was released in the US to capitalize on the song's popularity. It entered the US Billboard 200.

Reduction to a trio

After the success of "In the Name of Love", Bailey, Currie and Leeway, wanting to pursue the single's different sound, toyed with the idea of starting a new band on the side, which they planned to call 'The Bermuda Triangle'. lostidols.com - Retrieved 8 November 2007 When "In The Name Of Love" (and the parent album Set) failed to make a substantial impact in the UK charts, this plan was abandoned. However, at the same time, manager Hade convinced Bailey, Leeway and Currie to downsize the Thompson Twins to a core of the three in April 1982. Accordingly, the other four members of the band were notified that they were being let go; they were each paid £500 and were allowed to keep their instruments and equipment.

All the former members are still on friendly speaking terms with each other, and with Bailey, Currie and Leeway — although Dodd once had the job of delivering a keyboard to Thompson Twins session keyboard player Thomas Dolby some time later, but (to Dodd's irritation) Dolby failed to recognise him.

The Thompson Twins decided to go abroad to free themselves of any UK influence, as well as to combine the songwriting for their first album as a trio with a long holiday. They first went to Egypt and then to the Bahamas where they recorded at the Compass Point Studios in Nassau with the producer, Alex Sadkin.

International success

They broke into the UK Singles Chart and the US Billboard Hot 100 chart at the beginning of 1983 with "Lies" and "Love On Your Side", which became the band's first UK Top 10 single. Further singles from their third album Quick Step and Side Kick (called simply Side Kicks in the US) followed with "We Are Detective" (another Top 10 UK hit) and "Watching". Bailey's flame-red hair and bright ponytail and Currie's wasp-swatting style at the xylophone swiftly became endearing images of an exciting new act. All three received songwriting credits, though the band publicly acknowledged Bailey as the songwriter, with Currie contributing lyrics and Leeway focusing on the stage show. During 1983, the band had the opening spot on The Police concert tour in the US.

At the end of 1983, a new single, "Hold Me Now", was released. The song was an international chart success, peaking at #3 in the US in the spring of 1984 (becoming their biggest American hit), and hitting #4 in their native UK where it became the band's biggest seller earning a gold disc. Further hit singles followed in 1984 with two UK Top 3 hits; "Doctor! Doctor!" and "You Take Me Up" (which reached #2, their highest UK chart placing, and earned a silver disc). Further singles included a new version of the album track "Sister of Mercy", and "The Gap" (though this was not released in the UK). The corresponding album, Into the Gap, was one of the biggest sellers of 1984, selling five million copies worldwide and topping the UK Albums Chart. The band also embarked on a world tour in support of the album.

A new single, "Lay Your Hands On Me", was released in the UK in late 1984 and saw the band attempt to build on their success. The single reached #13 in the UK charts).

While working on the follow up to Into The Gap, Bailey suffered a nervous breakdown. Nile Rodgers was subsequently called in to help finish the album, which appeared in September 1985. Here's To Future Days (itself making the Top 5 in the UK and Top 20 in the US) spawned the track "King For A Day", which reached #8 on the US chart, but peaked outside the Top 20 in the UK. Other singles included a remixed US version of "Lay Your Hands On Me" (US #6), the anti-drug message "Don't Mess With Doctor Dream" (UK #15) and an unsuccessful cover of The Beatles' 1968 hit "Revolution".

The Thompson Twins made headlines when they performed on the American leg of Live Aid in July 1985 and were joined onstage by Madonna. The UK leg of the album's support tour had to be cancelled because of Bailey's breakdown (fans with tickets received a free live album as compensation) and the album itself was delayed by many months, causing the band to lose momentum. Despite this, after re-scheduling, the latter half of 1985 saw sell out tours for the band in the US and Japan.

Final years

Leeway left the band in 1986, and the remaining duo of Bailey and Currie carried on making music for another seven years. 1987 saw the release of Close to the Bone and the single "Get That Love", which climbed to #31 in the US but failed in the UK. "In the Name of Love" was given a new lease on life in 1988, after a remix by Shep Pettibone made the Top 50 in the UK. 1989 saw the release of another album, Big Trash, and a new recording contract with Warner Bros. Records. The single "Sugar Daddy" peaked at #28 in the US and would be their last brush with mainstream chart success. 1991's Queer would be the band's swansong, and was supported by various techno inspired singles under the moniker of (in the UK) to disguise the identity of the band to club DJs. The single "Come Inside" reached #7 in the US Dance Chart and #1 in the UK Dance Chart. However, once it was discovered that the Thompson Twins were behind the record, sales dropped and the album never had a UK release .

Prior to this, Bailey and Currie (who were now a couple) had their first child together in 1988, and in the following years they spent a lot of time writing material for other artists including the hit single "I Want That Man" for Debbie Harry in 1989. In 1991, Bailey and Currie were married in Las Vegas and the following year moved to New Zealand with their two children. In 1992, the Thompson Twins contributed the song "Play With Me" to the soundtrack of the Ralph Bakshi film Cool World; Bailey alone contributed a second track, "Industry and Seduction". The following year, the duo formally disestablished the name 'Thompson Twins', and Bailey and Currie teamed up with engineer Keith Fernley to form a new group called Babble.

The Thompson Twins declined to follow the examples of many of their contemporaries and reform to tie-in with a nostalgic rebirth of the 1980s, although Bailey, Currie and Leeway appeared together on the UK Channel 4 show Top Ten Electro Bands in 2001. The Thompson Twins were placed ninth.

Critical response

The British musical press regularly criticised the Thompson Twins. The NME called them, "1984's most instantly kitsch mass program of monosodium glutamation of the brain". City Limits said they were "candy-floss art capitalists", whilst The Guardian dubbed them "The three haircuts".

After the Twins

Babble released two albums — The Stone (1993) and Ether (1996), and one of their songs was featured in the film Coneheads. Three quarters of a third album was recorded, but remains unreleased.

In 1999, Bailey produced and played keyboards on the hit album Mix by the New Zealand band Stellar*, and won the 'producer of the year' award at the New Zealand equivalent of the Grammy Awards. He has also arranged soundtracks and has provided instrumental music for several films. In the mid 1990s, Currie gave up the music business to set up her own glass-casting studio in Auckland.

After her sister died of Creutzfeldt–Jakob disease, Currie founded a group in New Zealand called 'Mothers Against Genetic-Engineering in Food and the Environment' (also known as MADGE) which soon had thousands of members. Currie described this group as a "rapidly growing network of politically non-aligned women who are actively resisting the use of genetically-engineered material in our food and on our land". An advert for this group featuring a young woman with four breasts hooked up to a milking machine became famous after appearing on billboards across New Zealand.

Bailey and Currie split up in 2003, and are now divorced. They both left New Zealand to live separately in Britain, but are still close friends. Currie currently lives with Jimmy Cauty (formerly of The KLF) and is a trained upholsterer.

The earlier members went on to do other things:

*Dodd and Roog formed a band called Big View (with Edge on drums) and recorded a single called, "August Grass", which was released on Point Records (owned by Merton, the Thompson Twins publisher) in 1982. Dodd is now living back in Chesterfield working as a freelance journalist — and has released his own History of Rock album billed as Peter & the Wolves. Dodd still sees Podgorski on a regular basis.

*Roog lives in London and is in a senior position in Tower Hamlets Adult Services.

*Seligman worked for a law firm in London, and has played in The Soft Boys reunions as well as releasing his own albums, but has moved to Japan with his Japanese wife and their daughter. In 2009, he has been contributing to the new Thomas Dolby album.

*Bell moved from London to Bath, and played in or for Spear of Destiny (band), Gene Loves Jezebel and Hugh Cornwell. He also works as a landscape gardener.

*Booth is, reportedly, living in Shanghai and is the general manager of a music publishing company.

*Podgorski still lives in Chesterfield.

*Edge has a singing career and is an English teacher in Austria.

Bailey continues to make music under the moniker International Observer. His albums Seen, and All Played Out both received positive reviews. The most recent outing was Felt, released on 8 September 2009. He also performs with the group from India. Remarried (to artist Lauren Drescher), he currently resides in France.

Discography

Thompson Twins albums

Original studio albums

*A Product of ... (Participation) (1981)

*Set (1982)

*Quick Step and Side Kick (1983) (a.k.a. Side Kicks in North America)

*Into the Gap (1984)

*Here's to Future Days (1985)

*Close to the Bone (1987)

*Big Trash (1989)

*Queer (1991)

Compilation albums

*In the Name of Love (U.S. only release compiling tracks from the first two albums) (1982)

*The Best of Thompson Twins: Greatest Mixes (1988)

*Thompson Twins - Greatest Hits (1990)

*Hold Me Now (Thompson Twins album) (200-)

*Love on Your Side - The Best of Thompson Twins (2007)

Babble albums

*The Stone (1993)

*Ether (1996)

Bibliography

*The Thompson Twins - An Odd Couple (The Official Biography) by Rose Rouse. Virgin Books, 1985.

*Thompson Twin - An '80's Memoir by Michael White. Publisher: Little, Brown (4 May 2000).

See also

*List of number-one dance hits (United States)

*List of artists who reached number one on the U.S. Dance chart

*List of Second British Invasion Artists

References